Dave
This is my take
Megaphones originate on motorbikes, they found that more pipe length gave power and a wider band due to a longer negative and positive wave .
With a bike you have no where to go to increase the length so along came the megaphone.
The neg pressure comes from the gas passing down the primary pipe at high speed, the merge collector will help with this due to the venturi effect in the design thats why they waist the tail down to increase the gas speed.
When the gas enters the megaphone it will slow because the volume in the pipe is increasing this will increase the length of the pos/neg and secondary wave and help with the scavange in the higher rpm.
Unfortunatly the mid range falls off because as per usual we cant have everything.
Putting a very steep reverse cone on the exit will bring this back due to the waves hitting it and going back down the pipe at lower eng speed(basicly changing the timing of the waves).
I found on my 40 that it loves triple pass mufflers, I have tried several combos and it keeps coming back to triple pass mufflers.
I truely believe it is the length.
I would say that is why the 40s ran a megaphone because the system is to short and the neg/pos and secondary wave is effected.
My collector outlet is 50mm, same as the primary pipes, it is a ventury.
It doesnt kill it I rev it to 6500 and its still going.
I will make a trombone system after the collectors one day to see what it does.
I tried straight pipes at 2 1/4 but it lost mid range.
Your auger will kill the waves.
I have made mufflers with a megaphone inside them. the megaphone was made from perforated sheet and I used fiberglass mat in the box.
jim